So many films have been made with Muslim characters. But how many have actually got them right?
'I never expected this kind of a response to NH10,' director Navdeep Singh tells Subhash K Jha.
Whether you're a kid, accompanying one or neither of the two, there are still lots of reasons to catch Despicable Me 3, says Sukanya Verma.
The principles and lessons of Ramzan are not just applicable to Muslims, but contain the wisdom that can help one and all whether in life or with one's finances.
Suchandra Deb Roy writes about her father Nirmalendu Kumar Deb Roy.
Vijay Antony's Salim is all about how an honourable man strikes back when he is pushed to breaking point.
Traffic is muddled and lacklustre in its set-up, feels Sukanya Verma.
People mag has announced its verdict. Your turn now!
"As far as my comeback is concerned, I am enjoying the journey at the moment without worrying too much about the destination."
Want to listen to Hollywood's golden couple's love story that spawned six kids, several social causes in nine years? Huddle up!
'No short cuts, no sensationalism, but sheer talent is responsible for Nawaz's position as one of the finest actors of his generation.'
The Hundred-Foot Journey is reduced to plot holes and factual inaccuracies of surprisingly epic proportions, writes Nishi Tiwari.
Time said Merkel was chosen as the 'Person of the Year' because she is the 'de facto leader' of a continent, 'steward' of the world's fourth biggest economy, a 'principled manager and a resolute diplomat'.
Ishk Actually is one of the drabbest films I've seen all year.
Forever is tiring to watch, says Paloma Sharma.
The actors are good and Sujoy Ghosh is tremendous at creating a textured Bengal setting, but this is a thriller which could have used more twists and smarts, says Raja Sen.
Just when it looked as though CGI overkill has ruined the fun of spectacle, here comes a film that charms with its kaleidoscopic vision and meticulous combats, says Sukanya Verma, who can't wait for more!
This thriller isn't merely predictable, but depressingly drab, says Raja Sen.
Soni is a soft treatment of a very complex subject, feels Sreehari Nair.
The circuitous plot spins around the narrative like a yoyo gone berserk, keeping things tight but loopy, writes Raja Sen.
Before Akshay Kumar takes centrestage in the courtroom this Friday, here's looking at filmi lawyers before him.
Waiting is mostly deftly thought out and speaks on many levels, says Sukanya Verma.
The people out on the streets dancing, and those who fall and get injured are from families that cannot afford to lose a day's wages, but often end up losing a limb or life, says N Suresh.
Thoofan, the Telugu remake of Zanjeer as a separate film on account of its contemporary theme rather than compare it with the cult classic Zanjeer.
Raja Sen takes stock of Best Director nominees at Oscars 2015.
Kabali has nothing new to say or offer, besides Rajinikanth playing his age, feels Raja Sen.
Sadly, the attitude and ada that makes Rekha so timeless is dumbed down in a role and film so behind its time, rues Sukanya Verma after watching Super Nani.
Aseem Chhabra picks the scenes that left him impressed this year.
Were these actors offbeat or off the mark?
For a person who hasn't overdosed on a TV series for decades -- not since the delightful Friends, and much further back, the homily-laden Hum Log or the excellent Buniyaad or Yeh Jo Hai Zindagi -- Game of Thrones has been a game changer for me, writes Shuma Raha.
At 148 minutes, Spectre feels like the longest Bond film of all time, says Raja Sen.
What happens when you shoot at night, under pouring rain, as electrical wires snake around and your eyes turn gritty due to lack of sleep?
The film falters on many coutns, says Paloma Sharma.
Kamal Haasan's unrivalled make up skills, Jack Nicholson's haunting imagery, Asha Parekh's life as a Hit Girl and the surprise package of Beauty and the Beast, it's all there in Sukanya Verma's super filmi week.
Prime Minister Narendra Modi termed the Emergency, imposed in 1975, as the biggest blow to democracy and said its memories should be kept alive to draw lessons to further fortify the democratic framework and values in the country.
It is an important film but that doesn't translate to it being good, writes Raja Sen.
